"And once again, this weird sentiment...
This weird strangling sensation...
...It's the jealousy towards her that constrains me, that suffocates me and makes me speak so dryly towards Masami.
Deep down I know what this is."
I read Blue, a manga by Kiriko Nananan, last week.
A disclaimer before I write this: I don't consider myself to be a major fan of either manga or anime. Certainly not to the borderline-fanatical extent that some people can be, anyway. I don't know much about the different styles or genres and besides the glaringly obvious characteristics, I rarely differentiate between Japanese manga and Western style comics in terms of personal preference. However from time to time, I will come across a piece of work that isn't the overly melodramatic, colourful and flamboyantly distracting stuff that represents Japanese pop culture today and I can definitely appreciate it for the art-form that it is.
Oftentimes, it is those things which don't try to stand out that are most deserving of attention.
Blue is a gorgeous example of this. Moreso because I wasn't expecting it to be and because I really only stumbled across it on a whim. I had been thinking recently about how Japanese pop-culture tends to idealise Japan and Japanese tradition which, in turn, can have a dramatic effect on an outsider's or even an inhabitant's perception of life here. That's definitely not to say that most aspects of Japan require idealisation and if anything, my posts in this blog would generally suggest the opposite. However, everyone knows all about how magical Kyoto, Tokyo and other cherry blossom-adorned cultural meccas of Japan can be. What about the lesser-known Japanese prefectures? Upon telling people that I would be heading to Niigata prefecture for the foreseeable future, there were more than a few raised eyebrows. Admittedly, excluding what I was able to glean from a few paltry wikipedia paragraphs, I came here armed with little to no information. As such, I can't help being curious about how Niigata is represented in the aesthetically pleasing medium of manga and anime. Fast-forward through many frustrating hours of google searching and I finally find a copy of Blue by Kiriko Nananan (miraculously) in English, about the only manga I could find with its setting in Niigata prefecture.
Taking place at a girl's high school in Niigata city (an hour and a half or so away from me), the narrative weaves in and around a delicate bond that has formed between two girls. It's sweet, simple and easily relatable to in stark contrast with the exuberant and often light-hearted story-telling route that manga usually takes. On the surface a typical "coming of age" story, Blue replaces any of the expected ostentation with a gentle elegance, something as surprising as it is refreshing in such a tale. The unpretentious story is accompanied by artwork of a similar style; simple shading and bold lines, little in the way of backdrops and very plain but sensitive facial expressions. Bittersweet, realistic and brief (only being a single volume long) it stuck with me and I haven't been able to get it out of my head all week.
I actually hadn't intended to dedicate an entire entry here to writing about Blue but to be honest, a lot of what I got from it represents how I feel right now; about myself, about my future and about my experience in Japan so far. I wasn't even interested in discussing the plot to any great extent, I just wanted to highlight the straightforward story and the restrained artwork as an effective and empathetic portrayal of youth in Japan without trying to (or really needing to) sugar-coat reality.
Turns out that Japanese youth, while occasionally sporting bizarre spiky hair-dos and frankly terrifying coloured contact lenses, are just as mundane and afraid of the future as the rest of us!




